11.21.2025 / 36467 Views
In the modern world, where technology is developing by leaps and bounds, design has ceased to be an exclusively manual craft. Artificial intelligence is increasingly being introduced into the daily life of creative editorial offices and studios, setting new standards for visual content. Generative design now helps you create unique graphics, videos, and animations with unprecedented speed and efficiency.
Editorial offices and creative agencies, trying to keep up with trends, are en masse switching to generative design tools. With their help, the design team gains the skills and tools to implement the most daring ideas, freeing up time for strategic tasks, conceptual work and experimentation. In this article, we will take a detailed look at exactly how AI is changing the workflow, give examples of real cases, and give an overview of popular platforms for implementing innovative projects.
The concept of “generative design” did not appear yesterday. The first systemic developments in the field of algorithmic creativity and procedural graphics began to develop back in the 1960s–1970s. However, in those days, the capabilities of computers were limited by the speed and amount of RAM. Often the resulting images were patterned structures or minimalist art objects.
With the widespread adoption of powerful graphics processors and the development of neural network models, everything has changed. Today, generative design relies on machine learning and deep networks capable of processing huge amounts of data: photographs, illustrations, videos. As a result, designers have tools that allow them to generate dozens of variations of conceptual layouts, backgrounds, logos or animation scenes with one click.
Video editing and special effects are one of the most resource-intensive parts of a video editor’s job. With the advent of AI, many stages have been automated:
The animation industry is actively exploring generative technologies. Previously, manually drawing each frame took weeks and months, but now creators get the following opportunities:
The introduction of AI into the creative agenda radically restructures traditional workflow. Now the work steps look something like this:
Thanks to this symbiotic model, designers have the freedom to experiment creatively. Routine tasks of creating layout options, selecting color combinations and generating transitions are entrusted to AI, while they themselves focus on developing unique ideas and visual concepts.
There are already many services on the market that help editors and creative studios implement AI into everyday practice:
1. A news agency in a large metropolis implemented Adobe Firefly to create illustrations for opinion columns. Previously, artists hand-selected references and hand-drew article covers over the course of several hours. With Firefly, they began to receive up to five versions of illustrations per minute, leaving a couple of ideas for fine-tuning.
2. A creative agency working with music labels used Runway ML to generate animations for tracks. Simply loading the audio track made it possible to create a dynamic video sequence, which was then edited under the final master track.
3. A startup that creates promotional materials for art exhibitions began using Midjourney to design posters. The team entered brief descriptions of exhibitions into the system, received fifty options in different styles and immediately sent them to the customer for approval.
However, with the active implementation of generative design, new questions have arisen:
Transparent licenses, ethical codes and internal corporate policies on the use of generative systems will help solve these problems. Feedback from designers and the audience is important: if the content is in doubt, it should be corrected manually or the model should be retrained on new data.
Generative design is not a threat to the design profession, but a powerful assistant that opens up new horizons of creativity. In the near future, we will see full-fledged “creative studios” inside editorial offices, where humans and AI will collaborate on equal terms:
Each year brings new models and teaching methods that make generative design more accessible. Editors who have already tried these tools note that creativity is becoming more experimental, flexible and dynamic.
Artificial intelligence is changing the very essence of creativity. Generative design has ceased to be exotic - it is an integral part of the arsenal of modern editorial offices and creative agencies. By using powerful algorithms to create graphics, video, and animation, design teams free up resources for conceptual work and deep creative exploration.
At the same time, ethical and technological aspects of AI implementation must be taken into account to ensure transparency and quality of the final product. In the future, we will witness an even closer interaction between man and machine, where every project turns into a synthesis of intelligence and imagination.
Generative design is a window into a new world of visual art, where the boundaries of what is possible are constantly expanding. And those editorial offices that adapt to these changes as quickly as possible will become industry leaders and will set the tone for the years to come.